Before dying, Messala tells Judah that "the race is not over" and that he can find his family in the Valley of the Lepers.
24 Wyler initially rejected it, considering the quality of the script to be "very primitive, elementary" and no better than hack work.
Outside of North America, it earned.5 million in rentals (about.2 million at the box office) for a worldwide total.1 million in rental earnings, roughly equivalent to 146.9 million in box office receipts.
Powell, Nosher; Hall, William (April 1, 2001)."On the Sound Track." Billboard.46 The mountain village of Arcinazzo Romano, 101 40 miles (64 km) from Rome, served as a stand-in for the town of Nazareth.126 Preparation edit Lipizzan horses, like this one in Vienna, were used for chariot teams in Ben-Hur.151 While praising the acting and William Wyler's "close-to" direction, he also had was wollen frauen horen von manner high praise for the chariot race: "There has seldom been anything in movies to compare with this picture's chariot race.Retrieved July 13, 2015.Sam Jaffe stands out sharply in his natural assumption of the role of Simonides, steward to Ben-Hur and father of Esther.Gene Hatcher with Scene Specific Comments from Charlton Heston Music-Only Track Showcasing Miklós Rózsa 's Score Disc Three : The 1925 Silent Version The Thames Television Restoration with Stereophonic Orchestral Score by Composer Carl Davis Disc Four : About the Movies New Documentary: Ben-Hur: The.163 Heston was nominated for a Golden Globe in the Best Performance by an Actor in a Motion Picture Drama category, but did not win.A b c Scheuer, Philip.Epics, spectacles, and blockbusters: a Hollywood history.New York: Ardsley House.52 Set design edit The chariot arena was modeled on a historic circus in Jerusalem.




The race took five weeks to film.86 However, the Libyan government canceled the production's film permit for religious reasons on March 11, 1958, just a week before filming was to have begun.10 Some of the scenes in the film were shot in two-color Technicolor, most notably the sequences involving Jesus.Vidal rebutted by citing passages from Heston's 1978 autobiography An Actor's Life, where the actor admitted that Vidal had authored much of the final shooting script.Others inserted an admiration for Jewish people (who had founded the state of Israel by this time) and the more pluralistic society of 1950s America rather than the "Christian superiority" view of Wallace's novel.Time Out Film Guide.Retrieved July 18, 2015.
12 13 The film was re-released in 1931 with an added musical score, by the original composers William Axt and David Mendoza, and sound effects.



Wyler was initially hesitant to implement the subtext, but agreed on the conditions that no direct reference ever be made to the characters' sexuality in the script, that Vidal personally discuss the idea with Stephen Boyd, and not mention the subtext to Charlton Heston who.
This allowed for spectacular panoramic shots in addition to six-channel audio.

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