People get dragged by horses, bloodied by stone walls and collisions with ships and chariots, pierced with swords and spears, drowned, slammed to the ground, and.
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Under the influence of the oppressive Roman Empire, the land seethes with talk of revolt, and Caesar has sent more soldiers to quell the potential uprising.
Amazed, he pushes through the guards, and as Jesus falls, Judah carries a gourd of water to him and helps him to drink.Assuming, probably rightly, that getting the faith-based audience in the multiplex door wouldnt be the biggest box-office challenge, the film's marketing has focused largely on its action sequences.On balance, give me Bekmambetov's Ben-Hur with its pulsating battles and chariot races, its proclamation that mercy and sacrifice are more revolutionary than anything you can cook up with swords or chariotsover any of this summer's exhausting superhero movies with muddled, half-baked ideas and.Want to be great?"The game goes on Judah!" he hisses as he dies.Seeking release from his hatred, Judah walks through the city, encountering Balthasar again, who has now found the living Christ he was seeking.Ben-Hur is settled firmly in that slot.If you're going to make a new version, you should have a good reason.Ben-Hur actually has a higher Jesus-per-minute ratio than Wyler's film (partly because its almost a couple of hours shorter).He survives years of slavery under the Romans sexkontakte lichtenfels and attempts to get revenge by challenging his adoptive brother in a grand chariot race while being forever changed after a series of encounters with Jesus of Nazareth.But while the older film picks up on its plot's political themes, they're not really the point of the story, and often take a back seat to Hollywood epic standards: romance, tragedy, triumph, and spectacle.
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The sole weak point may be Morgan Freeman, not because he's not good as a wealthy African merchant who befriends Judah and ultimately engineers his charioteer's entry into the arena, but because he's so much more familiar than the rest of the cast that it's.The romantic subplot between Judah and Esther, which in the older film feels a bit uncomfortably like it's ripped from a romance novel called.Gazing in wonder once more into his eyes, Judah is touched by Christ.It's much bigger than that, an argument that mingles politics and religion in a way that seems utterly modern.That kind of ending seems manufactured for the easy-resolution conventions of the religious movie genre.Caveat Spectator Ben-Hur wisely stays on the family-friendly side of PG-13, mostly for epic violencebut the camera keeps moving and doesn't dwell on the gorier bits.Despite every story beat feeling almost too familiar by now, after years of running on TV at the holidays, the film holds up: it's a a stirring, operatic tale, and it's deeply watchable today, once you calibrate your expectations regarding casting and acting.Breaking free from his jailers, Judah smashes his way into Messala's chamber, demanding to know why he has done this evil deed.
When the new centurion Quintas Arrius (Jack Hawkins) comes aboard, he puts all the slaves to a test of endurance, looking for any with enough spirit to defy him.
Image: Paramount Pictures Toby Kebbell in 'Ben-Hur' Perhaps most oddly, the priests and Pharisees, for whom Jesus reserved his most biting indictments, are nearly absent from the movie, which effectively declaws a man known partly for his scorching criticisms of hypocritical power-hungry religious leaders.